A blog about 3D cinema

  Background: It could be argued that the first X-Men (2000) film began the modern-day phenomena of blockbuster superhero franchises. 4 films and 2 spin-offs later into this series, X-Men: Days of Future Past arrives in 3D, directed again by the series' original helmer, Bryan Singer . This is not the first time we've seen Wolverine and his pals in 3D, so we've a lot of precedent to judge this effort against. How's the 3D in X-Men: Days Of Future Past ? Read on to find out! Native and Post-converted 3D X-Men: Days Of Future Past is a hybrid stereo film. Interior and dialogue scenes were largely shot in native 3D . Several key sequences were post-converted sequences from a mono source. Other shots are largely CGI in nature, and the responsible effects houses were able to natively render their footage to stereo. It's therefore quite a confusing film to critique. To do the job properly, one would need a shot list or production schedule. We'll do our best ...

Background The fifth Spider-Man film in 15 years, The Amazing Spider-Man 2 is also Spidey’s second 3D film. We were reasonably underwhelmed by the 'original' The Amazing Spider-Man , despite it being shot in native 3D. How does the most recent sequel fare in comparison? Read on for all the details on the film’s post-converted 3D, its depth, effects and whether or not we should save the 2D or 3D versions for archival purposes. Post-Converted 3D Unlike its immediate predecessor, The Amazing Spider-Man 2 was largely shot on film, and post-converted to 3D. This task fell to Legend 3D, and Stereo Supervisor Ed W. Marsh . The company has a mixed record with its stereo conversions . Some of their earlier work left much to be desired (eg: Alice In Wonderland and Green Hornet ). Like much of the conversion industry, they've upped their game in recent years (eg: Top Gun , Man Of Steel ). The Amazing Spider-Man 2 is another  massive step forward for them; average viewers won...

Background This April, Captain America: The Winter Soldier kicked off the 'Summer' movie-going season early. Its over-sized box-office takings match the muscle and reputation of the hero himself, and critics were quick to praise the film too. He's the linchpin for Marvel's Cinematic Universe, which is why it's the fourth time we've seen Cap in 3D. Is this the definitive Steve Rogers story? How does the 3D fare in comparison to the post-converted likes of Iron Man Three or The Avengers ? Join us for this in-depth review of the film's stereo effects, and let us know if we've missed anything! Post-Converted 3D Marvel makes bold bets on its directors. In retrospect, many of their choices often made total sense; Shakespearean-influenced Kenneth Brannagh was well matched with Thor , as was the wise-cracking Iron Man helmer Jon Favreau. While some of their directors had previously made big-budget films, none had ever made a 3D movie. We assume that...

The 86th Academy Awards were held in March, hosted by Ellen DeGeneres. When the gathered stars and glitterati weren't taking selfies , the famous gold statues were being handed out to a host of worthy winners. Amongst them, 3Defence counted 11 wins for 3D films , helped mostly by Gravity , but ably assisted by Frozen and The Great Gatsby . This means that 46% of 2014's Oscar winners were 3D films. By comparison, 21% of 2013's winners were stereo movies, and 23% of 2012's were too. So, why the meteoric rise this year? Gravity  - as many predicted - swept the majority of the 'technical' categories. It took out the Visual Effects, Sound Editing, and Sound Mixing awards early on in the evening. These particular awards have been given to 3D films in the past. Cinematography and Film Editing came next though, and winning both of these awards is a significant breakthrough in terms of the industry's recognition of stereo film-making. For one thing, the team...

If you're an active reader of 3Defence, the chances are you're a movie nerd; a cinephile; a film buff; a student of cinema; or generally just the type of person who appreciates long-form articles on interesting topics. I know this, because that's who I am. I can't think of anything better than a Saturday morning coffee and a chance to learn about how movies are made, or what the critical community thinks of the resulting product. That's why 3Defence exists; to help provide a place for balanced criticism and reasoned study of stereo film-making in the modern age. However 3Defence is also just a place for movie geeks to hang out. In that spirit, today we kick off a series that offers up other ways to get your cinematic fix from the web. Article #1 is going to focus on two of 'The Best Apps' for movie geeks, and offer up a couple of other ways to make sure you keep up to date with your favourite film sites while on the go. Ain't It Cool News Picks ...

This year's Awards Season is gearing up for its main event: the 86th Academy Awards. Many cinephiles justifiably find the concept of 'Awards Season' horrifying. They can validly cite examples through the years where Oscar was wrong  ( My Fair Lady over Strangelove ? Crash over Good Night and Good Luck ? Shakespeare In Love being allowed in the same room as the first 20 minutes of Saving Private Ryan ?) and they can cite many more examples where films "should at least have been nominated !" Thankfully, the Academy broadened the nomination pool after universal outcry at The Dark Knight' s nomination snub   in 2008, and that's alleviated those tensions a little. It means we get a more balanced summary of the year in cinema: edgier films get nominated ( District 9 , Amour ), and broader-playing fare ( Up , The Help ) makes the cut as a nearer summary of what movie-goers... go to the movies for in the first place. The Nominees 2013's nominees are...

Background: The best 3D film of the year? Ordinarily conservative critics have fallen over themselves to proclaim  Gravity a landmark cinematic event, ranking it amongst distinguished 3D peers like Avatar , Hugo and Life Of Pi. James Cameron, the king of commercially successful 3D films, told Variety "I think it's the best space photography ever done, I think it’s the best space film ever done, and it's the movie I've been hungry to see for an awful long time." Riding a wave of breathless hype,  Gravity  broke US October box-office records, and is fast becoming the 'word of mouth' hit of the year. So... does it live up to the praise? Is Gravity a ground-breaking achievement in 3D film-making? Post-converted / Natively Rendered 3D: Modern-day 3D films are produced through three broadly classifiable means; 'native 3D' (where the majority of the movie was shot with stereoscopically capable cameras that have two lenses to capture the infor...