A blog about 3D cinema

Background The fifth Spider-Man film in 15 years, The Amazing Spider-Man 2 is also Spidey’s second 3D film. We were reasonably underwhelmed by the 'original' The Amazing Spider-Man , despite it being shot in native 3D. How does the most recent sequel fare in comparison? Read on for all the details on the film’s post-converted 3D, its depth, effects and whether or not we should save the 2D or 3D versions for archival purposes. Post-Converted 3D Unlike its immediate predecessor, The Amazing Spider-Man 2 was largely shot on film, and post-converted to 3D. This task fell to Legend 3D, and Stereo Supervisor Ed W. Marsh . The company has a mixed record with its stereo conversions . Some of their earlier work left much to be desired (eg: Alice In Wonderland and Green Hornet ). Like much of the conversion industry, they've upped their game in recent years (eg: Top Gun , Man Of Steel ). The Amazing Spider-Man 2 is another  massive step forward for them; average viewers won...

Background: Pacific Rim is Guillermo Del Toro's first film in 5 years. Much ink has already been spilled about his near-misses directing The Hobbit  film  trilogy   and the potential James Cameron / Tom Cruise adaptation of  At The Mountains Of Madness . Thwarted project after thwarted project, it seemed Del Toro just couldn't catch a break. Luckily, the big man had a big plan: direct a big film about big robots fighting big monsters. For all  Pacific Rim 's high-minded intentions, the movie's essentially Del Toro's love letter to the likes of Godzilla vs Mechagodzilla; his long-simmering kaiju vs mecha tale. So, how'd he fare? Was his 'boyhood dream' picture better than Peter Jackson's King Kong , or Spielberg's Jurassic Park ? More pressingly for 3Defence, is its 3D any good? Post-Converted 3D: For a long time, Del Toro voiced a hedged opinion towards adding 3D to his films. In pre-production for his version of  The Hobbit he started...

Last weekend, at the  San Francisco International Film Festival , Steven Soderbergh delivered a tour de force speech that aptly sums up the Hollywood movie industry in 2013. He covers box-office grosses, theatre admissions, marketing strategies, numbers of films released per year, insider stories, and his own thoughts on how to improve 'the studio system'. While he doesn't specifically address 3D film, he does infer strongly that studios are spending more, on fewer films, to earn more money. How does this have anything to do with 3D? Well, one can see this logic in play with the release pattern of 3D films: while there are fewer films per year being greenlit with a budget of $10 million, there are more 'tent-pole' releases having $10 million  added  to their already-massive budgets to convert or shoot the blockbuster in 3D. We'll be covering some of this ground next week in a three part special that asks "is 3D still a fad?" but for now you can ...

If you're reading this site, you're probably savvy enough to understand what it means to watch a film with a higher frame rate. If you're interested in a real discussion about the shift in projection technology represented by the first Hobbit ( An Unexpected Subtitle Journey ), then read our post on the matter . If, however, you want a corporate-styled explanation, then feel free to read the officially released briefing below (click the image to expand)

Britain's BFI IMAX screen, the biggest of its kind in the UK, just had a major overhaul. They documented the process in amazing detail on this site here . The team responsible went to enormous effort to make sure the screen, all 500m2 of it, could take advantage of the latest and greatest in projection systems. The end result will surely look stunning, and - thanks to a laser-guided paint job - will glisten bright silver. The silver coating applied will ensure that light from the projector is reflected in straight lines from the screen, lessening refraction.  So, why are we writing about this here at 3Defence ? Well, firstly because the photos are so damned cool. And secondly, because we love it whenever a cinema goes to great lengths to supply the brightest and clearest image in town. Brighter screens and projector bulbs are key to the ongoing success of the 3D format, and it's nice to see world-class theatres like the BFI London IMAX leading the way forwards for the r...

Keanu Reeves has a film coming out soon, and it doesn't involve kung fu, Dolph Lundgren, bombs on buses or time machines. Nope, it's a documentary, called Side By Side , and in it Keanu asks pretty much every director who had a free hour in their schedule, "is this the end of film?" Has digital cinema replaced the usage of celluloid / polyester prints? Given that Kodak recently announced its intention to fold its business, the question is a timely one. Given that most native 3D films being released today are shot digitally, it seems pertinent to bring the matter up here at 3Defence . It screened at Tribeca recently, and there's a wave of publicity that I thought 3Defence's audience might be interested in reading. Wired have a great piece on it here, ending with the pithy observation that  Side By Side itself was was shot digitally. Indiewire bring up a stunning revelation that no new film cameras are in development by any of the major manufacturers; w...