A blog about 3D cinema

Background Oz The Great And Powerful is Sam Raimi's first 3D movie. Having licked the wounds of  Spider-Man 3, Oz  marks Raimi's return to the land of gigantic budgets, tons of CGI and 'franchise friendly' material. Optimists viewed the release of Oz as an opportunity for L. Frank Baum's classic novels to be visualised in the modern age, leading to a series worthy of their reputation as American Mythology. Cynics viewed the film's existence as a greedy crash-grab by Disney, fuelled by the phenomenal +$1billion box-office success of Tim Burton's Alice In Wonderland . Meanwhile, others fretted that the 1939 classic Wizard Of Oz was just as fresh today as it was then and, frankly, didn't-need-a-prequel-thank-you-very-much. So... having set the scene for audience expectations, let's dive into the 3D of Oz The Great And Powerful ! Native 3D If you fell in the 'cynic' camp of the audience, you might be surprised how little 'cash-gr...

Over the last month, the marketing team at Fox have been slowly unveiling more and more news about Ridley Scott's upcoming 3D film, Prometheus . Given the film's shot in native 3D, we here at 3Defence are getting pretty excited about its release (and it seems many others are too; it's already breaking box-office records for IMAX pre-sales in the UK). So, let's take a look at some of the images released by Fox last month: The above image shows (I mean, aside Charlize Theron holding a gun) the kit that Scott and his DP,  Dariusz Wolski , used to film Prometheus . From what we know , they used a RED Epic camera, combined with the Element Technica ATOM 3D rig. This piece of information is important, because around 50% of the big budget films you're excited to see between now and 2015 will be filmed with similar gear. The nearest rival to this camera is the Arri Alexa . Anyway, the reason I blather about any of this is because Fox seem hell-bent on making sure yo...